Sight reading on classical guitar is <\/i>challenging but it is not<\/i> impossible. <\/span><\/p>\n In fact, it is well within your reach.<\/span><\/p>\n You might approach the topic with a bit of apprehension as sight reading is often thought of as a very high-end skill that only some possess. Let me tell you right now that you can develop this skill as much as anyone else. <\/strong><\/span><\/p>\n John Williams also acknowledged this inherent truth about the guitar but went on to say that “it is even more reason to do more of it!”<\/p>\n I agree.<\/p>\n On first appearances other instruments might seem to have an easier job at sight reading. However, we must also remember that each instrument has particular\u00a0challenges.<\/span><\/p>\n Pianists, organists, harpsichord\u2026 they have up to ten notes at a time (plus feet if you are an organist). Orchestral instruments have to deal with a wide range of key signatures, complex rhythms and fast tempi.<\/span><\/p>\n Actually, when you think about it, there are several things that make sight reading on the guitar quite easy:<\/span><\/p>\n There are a couple of reasons, and none of them are to do with the instrument. <\/span><\/p>\n It is to do with us<\/em>.<\/span><\/strong><\/p>\n You and I spend a lot of time practicing the classical guitar alone\u2026<\/span><\/p>\n This isolation lets us get away<\/i> without having to sight read. There is nothing to force us into sight reading through materials so we often read it very slowly and memorize it as quickly as possible.<\/span><\/p>\n This keeps us stuck at square one. <\/span><\/strong><\/p>\n Also, we predominantly choose solo repertoire which once again gives us the easy out of just taking tons of time to learn a piece, note by note, then committing it to memory. There are no other people looking over our shoulder so why should we sight read?<\/span><\/p>\n So, basically, we just don\u2019t ever practice sight reading and the predictable outcome is that we never improve.<\/span><\/p>\n On that rare occasion where we get thrown into the uncomfortable position of having to sight read, it can be an embarrassing experience that reinforces the myth that it is difficult.<\/span><\/p>\n And so the cycle goes\u2026<\/span><\/p>\n Practice, practice, practice<\/span><\/span><\/strong><\/p>\n It really is that simple, like I said in the beginning. Simple yes, but easy no. It requires dedication, planning and effort on your part to practice sight reading on a regular basis.<\/span><\/p>\n So how do we practice it?<\/p>\n Another guitarist, a guitar orchestra, a singer, violinist. Just grab anyone who is willing to have a go and jump to it! The reason this is so effective is that it will force you to read on a regular basis. It is this regularity that will have the biggest impact.<\/span><\/p>\n Practicing sight reading on your own is a more challenging process because it requires discipline, perseverance and organization.<\/span><\/p>\n The organization is often one of the pitfalls in sight reading development. You must choose material that is easy for you. It should be nowhere near the complexity of what you play in your solo repertoire and you should spend some time accumulating materials that are so basic you can read them once or twice with relative ease then move on. <\/span><\/p>\n Gathering these materials can take time and can be off putting. To help this I have arranged graded sight reading materials in the CGC Membership<\/a><\/strong>. But you can do it on your own.<\/span><\/p>\n Violin melodies and flute melodies are great, because they don\u2019t have fingerings. Folk melodies, and even beginner guitar studies (Sor, Giuliani, Carcassi) can be good sight reading fodder. <\/span><\/p>\n I want to leave you with some actionable ways to improve right now, so here are some exercises with a download sheet below:<\/p>\n Probably the biggest difficulty for people is learning the fretboard in the higher positions, so here are some great ways to force your fingers on an exploratory mission:<\/p>\n\n ![\"CGC---Sight-Reading-Quote-John-Williams\"](\"https:\/\/www.classicalguitarcorner.com\/wp-content\/uploads\/CGC-Sight-Reading-Quote-John-Williams.jpg\")
It is true that the guitar has some specific challenges when it comes to sight reading. <\/span><\/p>\n\n
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Why then are guitarists so bad at sight-reading?<\/b><\/span><\/h3>\n
Ways you can get better at sight reading on classical guitar<\/span><\/h3>\n
![\"photo-3\"](\"https:\/\/www.classicalguitarcorner.com\/wp-content\/uploads\/2014\/12\/photo-3.jpg\")
By far the best way to improve your reading is by joining an ensemble<\/strong>. <\/span><\/p>\nSpecific exercises that will develop your skills quickly<\/b><\/span><\/h3>\n
Six string scales<\/span><\/h4>\n