{"id":44778,"date":"2024-01-11T08:32:20","date_gmt":"2024-01-11T13:32:20","guid":{"rendered":"https:\/\/www.classicalguitarcorner.com\/?p=44778"},"modified":"2024-01-11T08:32:20","modified_gmt":"2024-01-11T13:32:20","slug":"exploring-the-renaissance-on-classical-guitar","status":"publish","type":"post","link":"https:\/\/www.classicalguitarcorner.com\/exploring-the-renaissance-on-classical-guitar\/","title":{"rendered":"Exploring the Renaissance on Classical Guitar"},"content":{"rendered":"<div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-1 fusion-flex-container nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-flex-start fusion-flex-content-wrap\" style=\"max-width:1216.8px;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-0 fusion_builder_column_1_1 1_1 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:100%;--awb-margin-top-large:0px;--awb-spacing-right-large:1.92%;--awb-margin-bottom-large:0px;--awb-spacing-left-large:1.92%;--awb-width-medium:100%;--awb-spacing-right-medium:1.92%;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-text fusion-text-1\"><h2>Exploring the Renaissance on Classical Guitar<\/h2>\n<p><span class=\"yt-core-attributed-string yt-core-attributed-string--white-space-pre-wrap\">Below is a performance of Luis de Milan&#8217;s Pavana No.1 by Dave Belcher. It comes from our brand new course on Exploring the Renaissance on classical guitar at CGC Academy. This new course is co-taught by Nicoletta Todesco and Dave Belcher. It features 30+ pieces of music from three different genres: dances, songs, and instrumentals. This is a comprehensive look at music for the lute and vihuela from the Renaissance period. The course will introduce you to a ton of new music as well as using F# tuning, ornamentation and divisions, using the capo, stylistic elements, tablature, modes and harmony, and more. Join CGC Academy today to get access to the first four lessons that are already released, including this Pavana by Milan.<\/span><\/p>\n<p><span class=\"yt-core-attributed-string yt-core-attributed-string--white-space-pre-wrap\">\u00a0<\/span><\/p>\n<\/div><div style=\"text-align:center;\"><a class=\"fusion-button button-flat button-xlarge button-custom fusion-button-default button-1 fusion-button-default-span fusion-button-default-type\" style=\"--button_accent_color:#ffffff;--button_accent_hover_color:#ffffff;--button_border_hover_color:#ffffff;--button_border_width-top:30px;--button_border_width-right:0px;--button_border_width-bottom:120px;--button_border_width-left:0px;--button_gradient_top_color:#1f9ab6;--button_gradient_bottom_color:#1f9ab6;--button_gradient_top_color_hover:#1f9ab6;--button_gradient_bottom_color_hover:#1f9ab6;\" target=\"_self\" href=\"\/join-cgc\/\"><span class=\"fusion-button-text\">Join Today<\/span><\/a><\/div><div class=\"fusion-text fusion-text-2\"><h2>Pavana No.1 by Luis de Milan<\/h2>\n\n      <div class=\"video-wrapper\">\n        <div class=\"video-container\">\n          <iframe src=\"\/\/www.youtube.com\/embed\/lF4cCezIsHk?rel=0&showinfo=0&theme=light\" frameborder=\"0\" allowfullscreen><\/iframe>\n        <\/div>\n      <\/div>\n    \n<h3>Vihuela Music of the Renaissance<\/h3>\n<p><span class=\"yt-core-attributed-string yt-core-attributed-string--white-space-pre-wrap\">Luis de Milan\u2019s El Maestro was published in 1536 as an instruction book for the vihuela da mano. The vihuela was a Spanish instrument similar to the lute, but smaller. The book consists of more than 40 fantasias, tentos, romances, villancicos, and songs. In the middle of the fantasias are six pavanas, which Milan also calls fantasias. He says the pavanas are Italian dances of a quick character. As a book of instruction, all of the music is meant to be progressive, and so Pavana no. 1 is the easiest. <\/span><\/p>\n<h3>Dance form and modality<\/h3>\n<p><span class=\"yt-core-attributed-string yt-core-attributed-string--white-space-pre-wrap\">There are several features of this work that prove challenging. First, it is a pavana, and so it is important to capture the dance feel. A pavana was typically a slow processional dance from Padua in Italy. Milan indicates that the tempo should be \u201ccomp\u00e1s algo apresurado,\u201d which means a somewhat hurried tempo. In modern terms we might think of this similar to Andante. In addition, for each of the six pavanas, Milan indicates what mode or \u201ctonos\u201d it is in. Pavana 1 mixes modes 1 and 2, Dorian and Hypodorian. To simplify matters, you can consider the piece to move around a key center of A minor, but with F#\u2019s throughout. However, you will also encounter other accidentals in the piece, owing to something called \u201cmusica ficta\u201d where composers and performers would add accidentals to alter the character of a note or notes, usually at cadences. <\/span><\/p>\n<h3>Performance considerations<\/h3>\n<p><span class=\"yt-core-attributed-string yt-core-attributed-string--white-space-pre-wrap\">Because Milan considers the pavanas to be \u201cfantasias\u201d the writing is very similar: it features several themes that are developed through intricate polyphonic textures. Once again, then, paying close attention to voicing and legato is very important for succeeding with this music. Milan tells us that his vihuela is tuned to \u201cA,\u201d which you can approximate by placing a capo on the 5th fret, but you may find that you get more resonance out of the instrument by using a capo at the 2nd fret. However, use of the capo is completely optional (though it does make some stretches considerably easier). Standard tuning works a bit better for this piece than Renaissance F# tuning.<\/span><\/p>\n<\/div><div style=\"text-align:center;\"><a class=\"fusion-button button-flat button-xlarge button-custom fusion-button-default button-2 fusion-button-default-span fusion-button-default-type\" style=\"--button_accent_color:#ffffff;--button_accent_hover_color:#ffffff;--button_border_hover_color:#ffffff;--button_border_width-top:30px;--button_border_width-right:0px;--button_border_width-bottom:120px;--button_border_width-left:0px;--button_gradient_top_color:#1f9ab6;--button_gradient_bottom_color:#1f9ab6;--button_gradient_top_color_hover:#1f9ab6;--button_gradient_bottom_color_hover:#1f9ab6;\" target=\"_self\" href=\"\/join-cgc\/\"><span class=\"fusion-button-text\">Join Today<\/span><\/a><\/div><\/div><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1207,"featured_media":44779,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[27],"tags":[],"class_list":["post-44778","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-blog"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v25.5 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Exploring the Renaissance on Classical Guitar<\/title>\n<meta name=\"description\" content=\"Enjoy this performance of Pavana no.1 by Luis de Milan from our new course on Exploring the Renaissance on Classical Guitar\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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