{"id":20318,"date":"2016-10-01T17:55:04","date_gmt":"2016-10-01T17:55:04","guid":{"rendered":"https:\/\/www.classicalguitarcorner.com\/?p=20318"},"modified":"2024-12-03T14:50:02","modified_gmt":"2024-12-03T19:50:02","slug":"recordings-of-the-old-masters","status":"publish","type":"post","link":"https:\/\/www.classicalguitarcorner.com\/recordings-of-the-old-masters\/","title":{"rendered":"Recordings of the Old Masters"},"content":{"rendered":"<p>Listening, and in some cases, watching recordings of the old masters that have\u00a0provided us with so much music and guidance can be very inspirational. It can also give us a great insight into different playing styles and idiosyncrasies that we can incorporate into our own playing. I remember the feeling of amazement when I first got to meet some of my guitar idols at festivals in Europe. David Russell, John Williams, Oscar Ghiglia&#8230; it was like the CD covers were coming to life!<\/p>\n<h2>Regino Sainz de la Maza<\/h2>\n<p>A virtuoso in his own right, <strong>Regino Sainz de la Maza<\/strong> is perhaps most famous for the concerto that was dedicated to him. None other than the <em>Concierto de Aranjuez<\/em> by Joaquin Rodrigo. He wrote several solo pieces that are still popular today including Petenera, Zapateado, and Ronde\u00f1a.<\/p>\n<p><strong>Menuet op. 15 n\u00ba 1, and Menuet op. 11 n\u00ba 9 by Fernando Sor<\/strong><\/p>\n\n      <div class=\"video-wrapper\">\n        <div class=\"video-container\">\n          <iframe src=\"\/\/www.youtube.com\/embed\/6gW6uanys60?rel=0&showinfo=0&theme=light\" frameborder=\"0\" allowfullscreen><\/iframe>\n        <\/div>\n      <\/div>\n    \n<p><strong>Sonata in Em by Domenico Scarlatti (at 4:08 in the below video)<\/strong><\/p>\n\n      <div class=\"video-wrapper\">\n        <div class=\"video-container\">\n          <iframe src=\"\/\/www.youtube.com\/embed\/TviTduyrmx0?rel=0&showinfo=0&theme=light\" frameborder=\"0\" allowfullscreen><\/iframe>\n        <\/div>\n      <\/div>\n    \n<h2>Andres Segovia<\/h2>\n<p>Segovia is a name synonymous with the classical guitar, but it is not widely known that he composed pieces for the instrument. A master arranger, and collaborator with other composers, arguably his most well known composition is Estudio Sin Luz.<\/p>\n<p><strong>Sonata in Em by Domenico Scarlatti<\/strong><\/p>\n<p>Before we get to Segovia&#8217;s piece, let&#8217;s have a listen to the same Scarlatti Sonata as above. For two giants of the guitar living at the same time, it is enjoyable to listen to the differences in sound and musical approach.<\/p>\n\n      <div class=\"video-wrapper\">\n        <div class=\"video-container\">\n          <iframe src=\"\/\/www.youtube.com\/embed\/TfJrale-lug?rel=0&showinfo=0&theme=light\" frameborder=\"0\" allowfullscreen><\/iframe>\n        <\/div>\n      <\/div>\n    \n<p><strong>Estudio Sin Luz<\/strong><\/p>\n\n      <div class=\"video-wrapper\">\n        <div class=\"video-container\">\n          <iframe src=\"\/\/www.youtube.com\/embed\/z8cb6Z3SAls?rel=0&showinfo=0&theme=light\" frameborder=\"0\" allowfullscreen><\/iframe>\n        <\/div>\n      <\/div>\n    \n<h2>Agust\u00edn Barrios<\/h2>\n<p>Sometimes playing with steel strings, and making recordings on very early wax cylinders , Barrios was able to record several hundred works that serve as the original sources for modern editions. The speed and agility of his playing is of note, as is the flexible approach to tempo.<\/p>\n<p><strong>Valse no 3<\/strong><\/p>\n<p>This valse is a personal favorite of mine and one of the few works for which we haver a manuscript. European in style, this Valse displays a lyrical style of writing, virtuosic execution and some ear opening distortions of rhythm.<\/p>\n<p><strong>The score and lesson for this piece in included in the CGC Academy library. <\/strong><\/p>\n<div class=\"video-shortcode\"><iframe title=\"Agust\u00edn Barrios plays Agust\u00edn Barrios Vals N\u00ba 3\" width=\"1170\" height=\"878\" src=\"https:\/\/www.youtube.com\/embed\/le0shPMLffY?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<h2>Miguel Llobet<\/h2>\n<p>A multifaceted artist, Llobet was a skilled visual artist and also studied violin and piano. He was also able to study with the nineteenth century master of guitar, <a href=\"https:\/\/www.classicalguitarcorner.com\/francisco-tarrega\/\" target=\"_blank\" rel=\"noopener\">Francisco T\u00e1rrega<\/a>. Listening to his incredible recordings give us a rare insight into the 19th century aesthetic and also to the sheer virtuosic speed with which he executed his works.<\/p>\n<p><strong>Radio Program by Robert Spencer (Multiple works)<\/strong><\/p>\n<div class=\"video-shortcode\"><iframe title=\"Miguel Llobet: original recordings introduced by Robert Spencer\" width=\"1170\" height=\"658\" src=\"https:\/\/www.youtube.com\/embed\/XIaSnYs0KkI?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<h2>Claude Debussy<\/h2>\n<p>Finally, I thought I would open up the idea outside the world of guitar. There are many recordings and manuscripts that we can discover if we dig a little or visit a library and they all have a little bit of magic. After all, if we are going to spend our time learning about music why wouldn&#8217;t we want to get as close to the masters as we can?<\/p>\n<p>&nbsp;<\/p>\n<p>This piece is quoted in the famous <em>Homenaje<\/em> by Manuel de Falla. It is a testament to how well Debussy understood, and could imitate the Spanish aesthetic, even though he only visited the country briefly on one occasion. It is not an audio recording of Debussy, but rather a piano roll that mechanically recorded his playing. So, I guess in a way it is a recording, but not one that we would normally listen to.<\/p>\n<p><strong>La soir\u00e9e dans Grenade<\/strong><\/p>\n<div class=\"video-shortcode\"><iframe title=\"Debussy plays Debussy\" width=\"1170\" height=\"878\" src=\"https:\/\/www.youtube.com\/embed\/PekrB_IuGIc?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<p>&nbsp;<\/p>\n<p>Do you know of any other recordings that are similar? I am sure the CGC community would be happy to hear of them, so please feel free to link in the comments below.<\/p>\n<p>&nbsp;<\/p>\n<p>Simon Powis<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Listening, and in some cases, watching recordings of the old masters that have\u00a0provided us with so much music and guidance can be very inspirational. It can also give us a great insight into different playing [&hellip;]<\/p>\n","protected":false},"author":5,"featured_media":20319,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[27],"tags":[],"class_list":["post-20318","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-blog"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v25.5 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Recordings of the Old Masters<\/title>\n<meta name=\"description\" content=\"Listening and watching recordings of the old masters that have\u00a0provided us with so much guitar music and guidance can be very inspirational.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.classicalguitarcorner.com\/recordings-of-the-old-masters\/\" 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